POLITICAL MURDER: GOAL OR MEANS
By Vladimir Gligorov
Five years after the assassination of Zoran Djindjic we still wait for
an answer to the question, "Why was he murdered?" Executioners were tried but
the motives behind the murder were not asserted. As if the murder itself was the goal
rather than means. One can hardly accept that even had not his murder been a political
one. And one should the more so expect the stronger pressure from the public to have
revealed the goal of the political murder. In this context the Serb public attitude
corresponds with the deeply rooted one towards political murders. Objectively, such
attitude could lead to very bad moral and political consequences, to put it mildly.
Therefore, the fifth anniversary of Djindjic's... More >>> |
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THE YEARS OF MENACING EMPTINESS
By Nikola Samardzic
The assassination of Premier Zoran Djindjic on March 12, 2003 declared
the crime a paradigm of the current in the Serbian politics that regained predominance in
the meantime - a negation of justice and human aspiration for free thought and vocation,
for free expression of views are also realized in politics. And that should be the basics
of modern politics. In this sense, the Djindjic assassination was a crucial step towards
demolishment of the emerging civilization in Serbia, based on the rule of law and
individual values, the only components of a completely free community. As time went by,
political motives and personal interests behind the murder of the Premier
were... More >>> |
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WAS ZORAN DJINDJIC AN IMMORALIST?
By Vesna Pešic
I deliberately used the term immoralist in the headline. I had in mind
Andre Gide's work under the same title dealing with immorality. Gide's hero, as I
understood it, was neither amoral nor unmoral, not a person violating moral norms and
hurting other people. He was a person guided by aesthetic values focused on exhibitionist
smashing of the rule that shape people's behavior. Or more precisely, the Immoralist
researches the field of absolute freedom. Gide does the same in his other books such as
"Prometheus Misbound" or "The Vatican Cellars." One of his heroes
slaps a passerby and gives him an envelope with money. That's how Gide testes free will,
unbound and... More
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